Setup 1: Recording
This is the simplest setup for recording situations. The guitar amp is connected normally to the Transducer. In this case either the Transducer line outputs can connect to external line ins or the Mic Level Output can be routed to a microphone preamp. Both line outputs may be used simultaneously.

Setup 2: On stage without a cabinet
This is the simplest setup for live applications and when it should be quiet on stage. Connect the amp to the Transducer. The guitarist receives a monitoring signal (in-ear or through a monitor box) from the Transducer Line Output through the live mixer.
The PA may also be fed from the mixer or a Transducer output (Line Output, or Mic Level Output).

Setup 3: On stage with a cabinet
If an on-stage guitarist wishes to have his cabinet sound, the signal should be routed to his box via the Transducer Speaker Thru. In this case the amp signal power is reduced by 8 dB enroute to the box; here saturation (that is, power amp distortion) begins to occur at moderate listening levels.

The two separate Transducer Line Outputs may be used simultaneously to feed both an FOH mixer and monitor mixer.

Setup 4: on stage, Transducer and cabinet simultaneously connected to an amp
If the guitarist does not need the 8 dB Speaker Thru signal reduction, he may connect both the guitar box and Transducer simultaneously with the guitar amp loudspeaker outputs (assuming this is an amp option).

Setup 5: On stage, stereo effects/dry-wet-wet setup
With cabinet (Dry) and two stage monitors (Wet).
The dry guitar signal is routed from the Transducer Speaker Thru. Connect the Transducer Line Output to an effects machine. The effects machine‘s wet outputs (Right/Left) are then connected as needed to powered monitors. The guitarst gets a simple stereo effects (Dry-Wet-Wet setup) signal on stage. The second Transducer Line Output may, for example, be routed for P. A. use.

Setup 6: On stage stereo effects/dry-wet-wet setup
For three powered monitors without cabinet.
The dry guitar signal derives from Line Ouput 1, which is routed to an active monitor. Connect the Transducer Line Output 2 with an effects machine and route each of it‘s wet outputs (L/R) to an active monitor. The guitarist gets a simple stereo effect Dry-Wet-Wet setup on stage.

Setup 7: On stage and P. A., stereo effects/dry-wet-wet setup
With (dry) cabinet and two (wet) stage monitors.
The dry guitar signal is routed via the Transducer‘s Speaker Thru. Connect the Transducer Line Output 1 with an effects machine and each of it‘s wet outputs (L/R) to an active monitor.

The on-stage guitarist gets a simple stereo effects Dry-Wet-Wet setup. For the FOH mixer, the two wet signals need only to be split for further routing. The FOH mixer receives a dry signal from the Transducer Line Output 2.